Tom Schwegler offers insight into why contemporary music makes congregational singing difficult over on the Internet Monk’s blog.
I think Schwegler is right on. I’ve always had a problem with finding a way to incorporate contemporary music in such a way that it’s good for the congregation. I think Schwegler put some of my own thoughts into the words I couldn’t find. His points sum up my own thoughts:
Complexity: Many contemporary songs are made for soloists, not congregations. Nothing is worse to me than a passionate band singing for the congregation. That just irks me. It makes true the charge of entertainment worship.
Less information: As someone who doesn’t read music, but can generally follow notes (most of the time), I find it quite annoying to go into a church and hear a song I’ve never heard before and expect to sing it. Sometimes I can; sometimes I can’t. I want to see the music.
More oral tradition:It also vexes me to hear a worship leader sing a song contrary to the way you might hear it on CCM. I want to know what I am singing before I start singing or at least have a road map.
Chords vs. tunes: I’ve always been fond of a piano or organ (mostly piano) leading worship (Forrest is trying to convince me a guitar and drums are better, but now I’ve obtained newly read ammunition!). I’ve never understood why I felt that guitar didn’t work as well for leading congregational music, but I think Schwegler’s right in asserting it’s because guitars play chords, not tunes. It may also be that I am partial to piano over guitars; I hardly ever see anyone play an acoustic guitar in a way that doesn’t sound cheap when it comes to worship. My wife assures me that it’s just because I’ve never been in a church that plays acoustic guitars well, but I think it’s because my Catholic-Lutheran upbringing has given me a particular standard of what music should sound like.