Why Contemporary Music Makes Congregational Singing DifficultPosted by Rick on July 25th, 2008
Tom Schwegler offers insight into why contemporary music makes congregational singing difficult over on the Internet Monk’s blog.
I think Schwegler is right on. I’ve always had a problem with finding a way to incorporate contemporary music in such a way that it’s good for the congregation. I think Schwegler put some of my own thoughts into the words I couldn’t find. His points sum up my own thoughts:
Complexity: Many contemporary songs are made for soloists, not congregations. Nothing is worse to me than a passionate band singing for the congregation. That just irks me. It makes true the charge of entertainment worship.
Less information: As someone who doesn’t read music, but can generally follow notes (most of the time), I find it quite annoying to go into a church and hear a song I’ve never heard before and expect to sing it. Sometimes I can; sometimes I can’t. I want to see the music.
More oral tradition:It also vexes me to hear a worship leader sing a song contrary to the way you might hear it on CCM. I want to know what I am singing before I start singing or at least have a road map.
Chords vs. tunes: I’ve always been fond of a piano or organ (mostly piano) leading worship (Forrest is trying to convince me a guitar and drums are better, but now I’ve obtained newly read ammunition!). I’ve never understood why I felt that guitar didn’t work as well for leading congregational music, but I think Schwegler’s right in asserting it’s because guitars play chords, not tunes. It may also be that I am partial to piano over guitars; I hardly ever see anyone play an acoustic guitar in a way that doesn’t sound cheap when it comes to worship. My wife assures me that it’s just because I’ve never been in a church that plays acoustic guitars well, but I think it’s because my Catholic-Lutheran upbringing has given me a particular standard of what music should sound like.
